“REAL FANTASY” and A RABID AESTHETE: CECIL BEATON at BROOK STREET



 

©The Cecil Beaton Studio Archive at Sotheby’s

Cecil Beaton self-portrait, 1938 ©The Cecil Beaton Studio Archive at Sotheby’s



To this day, the name Cecil Beaton conjures up an abundance of signifiers for talent and taste: celebrated photographer, award-winning theatre, set and costume designer, illustrator, diarist, playwright, writer, dandy, socialite and intimate of royalty.

The impact and appeal of the 20th century prolific polymath have not dwindled since his death in 1980 and Cecil Beaton is still relevant today, commanding admiration and fascination with an ever-growing international audience.



Screen Shot 2014-11-20 at 11.51.33


The influential Beaton has in fact been celebrated in various ways in the last six months and will be even more for the forthcoming weeks.
The acclaimed Cecil Beaton at Home exhibition which took place this summer at the Salisbury museum has now transferred, in part, to London until December 5. It is hosted by none other than the prestigious Sibyl Colefax & John Fowler – both decorators were close friends of Beaton – in its legendary Mayfair townhouse and
 A-Gent of Style was privileged to be given a private appointment last Wednesday morning at Brook Street for a guided tour.



collage



Nancy Lancaster, the owner of Colefax and Fowler, with her aunt Nancy Astor and Cecil Beaton in the 1950s (Unknown photographer) ©Colefax and Fowler

Nancy Lancaster, the owner of Colefax and Fowler, with her aunt Nancy Astor and Cecil Beaton in the 1950s
(Unknown photographer)
©Colefax and Fowler

 

Cecil Beaton with his pug in the Winter Garden, Reddish House 1961 (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

Cecil Beaton with his pug in the Winter Garden, Reddish House 1961
(Cecil Beaton)
©The Cecil Beaton Studio Archive at Sotheby’s

 

Aptly named this time Beaton at Brook Street and once again beautifully and intelligently curated by Andrew Ginger of Beaudesert Ltd, this exhibition is a rare opportunity to catch a glimpse of Beaton’s interiors and creative inspirations, and to delve into his inner sanctum and fantastical world.

 Cecil Beaton at Home – Town & Country takes us upstairs to the iconic Yellow Room which has been transformed beyond recognition for the occasion to become the temporary backdrop and repository for the reconstructed vivid room sets and vignettes of the effete’s houses, displaying some of the private retreats created by Cecil Beaton himself at his two country houses in Wiltshire (Ashcombe and Reddish) with the addition this time of his London home, 8 Pelham Place.

 

Against a red velvet upholstered wall stands Twiggy, recreating the iconic image Cecil took of her at Pelham Place for Vogue Oct 1967. A collection of vintage prints from the Cecil Beaton Studio Archive at Sotheby's include celebrities of sixties London, also shot at his home, including Mick Jagger © Beaudesert

Against a red velvet upholstered wall stands Twiggy, recreating the iconic image Cecil took of her at Pelham Place for Vogue Oct 1967. A collection of vintage prints from the Cecil Beaton Studio Archive at Sotheby’s include celebrities of sixties London, also shot at his home, including Mick Jagger © Beaudesert

 

 

 

Twiggy by Cecil Beaton, Vogue, 1967  ©Conde Nast/Beaudesert

Twiggy by Cecil Beaton, Vogue, 1967 © Conde Nast



Cecil Beaton's original sofa from Reddish House sits beneath a copy of the Swinstead oil painting of his mother Esther ©Beaudesert

Cecil Beaton’s original sofa from Reddish House sits beneath a copy of the Swinstead oil painting of his mother Esther ©Beaudesert

 

 

Beaton on the original sofa at Reddish. Spot the original chintz on the curtains © National Portrait Gallery, London

Beaton on the original sofa at Reddish. Spot the original chintz on the curtains, source unknown

 

 

A corner of Cecil's Pelham Place sitting room with black velvet upholstered walls, an African mask and a copy of the portrait by Christian Bérard ©Beaudesert

A recreation of a corner at Pelham Place of Cecil Beaton’s sitting room with black velvet upholstered walls, an African mask and a copy of the portrait by Christian Bérard ©Beaudesert

 

The Drawing Room, 8 Pelham Place, 1963 (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

The Drawing Room, 8 Pelham Place, 1963
(Cecil Beaton)
©The Cecil Beaton Studio Archive at Sotheby’s

 


The star of the show is undeniably the extraordinary ‘Circus Bed’ – a recreation of Beaton’s own bed originally designed by Rex Whistler in 1931 and made by circus-round-about-makers Savages – which has been made this time by specialist bed makers Beaudesert. The bed boasts Neptune, unicorns, sea horses, glittery back curtain, embroidered bed cover, gilded barley-twist posts and many frivolous Rococo designs – most probably instigated by Beaton’s trips to Austria, Italy and Germany – enough to make Liberace’s own boudoir look butch. On show are other delightful recreations painstakingly executed by Andrew Ginger and his team such as the reprinted rose-pattern chintz that Beaton cherished to cover a sofa from Reddish, hessian curtains from Beaton’s studio at Ashcombe ornamented with a plethora of mother-of-pearl buttons, and the replica of the 18th century-style ‘Rabbit Coat’ made of corduroy with muslin roses, woolen yarns and plastic egg shells that Beaton wore in 1937 at one of his infamous fêtes champêtres (it was one of his four outfits for the evening. As you do).

Cecil Beaton's Circus Bed, originally designed by Rex Whistler, recreated by Beaudesert Ltd ©Beaudesert

Cecil Beaton’s Circus Bed, originally designed by Rex Whistler, recreated by Beaudesert Ltd ©Beaudesert

 

Cecil Beaton wearing The Rabbit Coat covered with broken eggs and the trousers with bees.  (Photo by John Phillips//Time Life Pictures/Getty Images)

Cecil Beaton wearing The Rabbit Coat covered with broken eggs and the trousers with bees. (Photo by John Phillips//Time Life Pictures/Getty Images)

 

'Replica of the Rabbit Coat made under licence from the V&A for Beaudesert by Jackie Josey & Claire Proctor .' (and ©Beaudesert

Replica of the Rabbit Coat made under licence from the V&A for Beaudesert by Jackie Josey & Claire Proctor ©Beaudesert

 

Cecil Beaton and the 'Rabbit Coat', 1937, Gordon Anthony © National Portrait Gallery, London

Cecil Beaton and the ‘Rabbit Coat’, 1937, Gordon Anthony © National Portrait Gallery, London



Bronze bust of Cecil beaton by Frank Dobson in front of the pearl buttoned curtains recreated by Beaudesert ©Beaudesert

Bronze bust of Cecil beaton by Frank Dobson in front of the pearl buttoned curtains recreated by Beaudesert ©Beaudesert




Part of the focus and angle of this show is to reassess and reacquaint the audience with Beaton’s overlooked flair and tastes for interior decoration as well as with his extraordinary life and legacy of work through the eye of artworks (such as a beautiful Christian Berard oil painting, an African mask), furniture, possessions, artefacts and garments. It is fair to say that Beaton’s anti-conventional, complex spirit and his bold, daring attitude to life transpire in his sophisticated, fanciful interiors more often than not replete for instance with velvet on the walls, marbleised skirting, silver braids, cushions made from geisha kimono sashes, gold satin curtains, gilded doors, Scamozian Ionic columns, Giacometti lamps, and wolf fur throws amongst exceptional modern art and, of course, lavish flower arrangements.

Reddish, the library, The Cecil Beaton Studio Archive at Sotheby's

Reddish, the library, The Cecil Beaton Studio Archive at Sotheby’s

 

Reddish, the 'hallway, decorated for Christmas, circa 1950s', The Cecil Beaton Studio Archive at Sotheby's

Reddish, the hallway, decorated for Christmas, circa 1950s, The Cecil Beaton Studio Archive at Sotheby’s

 

Reddish, the Drawing Room looking south to the Garden, date unknown (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

Reddish, the Drawing Room looking south to the Garden, date unknown
(Cecil Beaton)
©The Cecil Beaton Studio Archive at Sotheby’s

 

 

Reddish house, from the garden, ©The Cecil Beaton Studio Archive at Sotheby’s

Reddish house, from the garden, ©The Cecil Beaton Studio Archive at Sotheby’s

 

Mirror and ornaments at Ashcombe (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

Mirror and ornaments at Ashcombe
(Cecil Beaton)
©The Cecil Beaton Studio Archive at Sotheby’s

 

Evelyn Waugh, Sibyl Colefax, Phyllis de Janze and Oliver Messel (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

Evelyn Waugh, Sibyl Colefax, Phyllis de Janze and Oliver Messel (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

 

 

Cecil Beaton with Mickey the cat at Reddish house ©The Cecil Beaton Studio Archive at Sotheby’s

Cecil Beaton with Mickey the cat at Reddish house ©The Cecil Beaton Studio Archive at Sotheby’s



The Drawing Room, 8 Pelham Place, 1963 (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

The Drawing Room, 8 Pelham Place, 1963
(Cecil Beaton)
©The Cecil Beaton Studio Archive at Sotheby’s

 

The Bedroom Room, 8 Pelham Place, 1963 (Cecil Beaton) ©The Cecil Beaton Studio Archive at Sotheby’s

The Master Bedroom Room, 8 Pelham Place, 1963
(Cecil Beaton)
©The Cecil Beaton Studio Archive at Sotheby’s



The exhibition focuses also on the publication of Cecil Beaton: Portraits and Profiles by Beaton’s official biographer, Hugh Vickers, some photographs of which are on display throughout the showrooms. There are also some rarely seen paintings by Beaton himself and photographs on loan from The Cecil Beaton Studio Archive at Sotheby’s, private lenders and Sibyl Colefax & John Fowler, which can all be viewed throughout the main rooms on the ground floor and two other rooms on the first floor,  grouped thematically as Stage & Screen, Writers & Scholars, Society & Politics, Royalty, The Coronation, Colefax & Beaton, and finally modern Beaton prints. They are nine modern high quality prints taken from Beaton’s original negatives from the Cecil Beaton Studio Archive at Sotheby’s which have been printed exclusively for the Brook Street show by Sotheby’s, and are available for sale only for the period of the exhibition. Be ready to be dazzled by these original, unearthed gems. There is also a series of lectures and screening (see below for details).



Cecil Beaton self-portrait, 1930s (Cecil Beaton) © The Cecil Beaton Studio Archive at Sotheby's

Cecil Beaton self-portrait, 1930s
(Cecil Beaton)
© The Cecil Beaton Studio Archive at Sotheby’s



Cecil Beaton embodies the glamour of the 20th century, creative genius, fearlessness, irreverence as well as theatrical excess, decadence and flamboyance and thanks to this wonderful and triumphant collaboration, the legacy of one of Britain’s Renaissance men can live on and prosper.

Quotation-Cecil-Beaton-integrity-vision-Meetville-Quotes-26168



Beaton at Brook Street

Monday to Friday, 9.30am – 5.30pm

Sibyl Colefax & John Fowler, 39 Brook Street, Mayfair, London, W1K 4JE

Admission free


Lectures information:

Doors open at 6.30pm and lectures commence at 7pm (prompt)

The Beaton Image on Wednesday, 26 November:  A rare showing of this excellent 1984 BBC documentary, with introduction by Andrew Ginger, curator of CECIL BEATON AT HOME – TOWN & COUNTRY

My Fashionable Life on Tuesday, 2 December: Fashion historian Dr Ben Wild considers Beaton’s own style and sartorial elegance in this beautifully illustrated lecture.

The Man, the Magazine, the Century on Thursday, 4 December: Josephine Ross, author of BEATON IN VOGUE, explores Beaton’s extensive contribution to Vogue magazine through his drawings, photographs and essays.

Evening lectures at 39 Brook Street, W1. Tickets £25 each, including a pre-lecture glass of wine. Contact Colefax Group Press Office on +44 (0)20 7318 6035, email: pressoffice@colefax.com

Signed copies of the book will be available at £28 each (rrp £30) or £50 for two throughout the exhibition. A selection of Cecil Beaton framed modern silver gelatin prints are for sale during the exhibition at £1,600 each.


Cecil Beaton by Gordon Anthony, 1935 © National Portrait Gallery, London

Cecil Beaton by Gordon Anthony, 1935 © National Portrait Gallery, London




– Images by Sibyl Colefax & John Fowler, The Cecil Beaton Studio Archive at Sotheby’s and Beaudesert Ltd

The exhibition would not have been possible without the generous support of Sotheby’s Cecil Beaton Studio Archive





 

SHOWTIME: PETER PAN AND THE DESIGNERS OF THE CARIBBEAN





He’s behind you! Famous designers take centre stage for pantomime in aid of the NSPCC.

Peter Pan Logo

 

Leading names from the worlds of interior design and fashion are joining forces again this autumn to put on a pantomime in aid of the NSPCC.


Dame Vivienne Westwood - Peter Pan

Dame Vivienne Westwood – Peter Pan

 

 

From 28 October-1 November, London’s Bloomsbury Theatre will play host to the Interior Designers’ Pantomime sponsored by AkzoNobel, the manufacturers of Dulux.  This year the pantomime will tell the story of Peter Pan and the Designers of the Caribbean – a theatrical adventure which promises a fun and outrageously glamorous night out.

 

 

Bloomsbury_Theatre-vertical_300dpi_GIF




The production will star leading figures from the world of interior design, including Tim Gosling, Joanna Wood, Trevor Pickett and Justin Van Breda, who will be treading the boards of this iconic London theatre alongside some celebrity cameos. And to add a little extra glamour to proceedings, costumes for the pantomime will be designed by some of the world’s most illustrious fashion designers, such as Dame Vivienne Westwood, Jasper Conran, Bruce Oldfield, Zandra Rhodes, Tomasz Starzewski, Anna Valentine, Piers Atkinson and Jenny Beavan.


Anna Valentine - Trevor Pickett - Artist - with notes



As the pantomime begins, London is grey and drab. All the interior designers have fled to Never Never Land to escape their clients’ bad taste and endless complaints. But with Captain Hook on the loose, how long before the designers realise they must return colour to London and save the city from Hook’s evil clutches? Join Wendy and the lost boys for a production of magic and fantasy, mermaids and pirate ships, ticking crocodiles, mischievous designers and fairies, all in aid of the NSPCC.

 

Piers Atkinson- Captain Hook

Piers Atkinson- Captain Hook

 

 

Jaspar Conran - DONNA KEBAB - 'Long Joan Silver bondage pirate' - Copy




Tim Gosling, one of the founding members of the Interior Designers’ Pantomime team and a driving force behind the production, will be reprising his role as the pantomime Dame, this year playing the role of the outrageous Donna Kebab. Tim said: “It’s been four years since our last pantomime and so we’re all really excited to be back. This year’s production promises to be better than ever, and I hope that we’re able to raise lots of money for the NSPCC and bring a huge splash of colour and some glamour to London this autumn.”


Jaspar Conran - DONNA KEBAB - 'Carmen Miranda mantilla'

Jaspar Conran – DONNA KEBAB – ‘Carmen Miranda mantilla’

 

Jaspar Conran - DONNA KEBAB 4- 'Dredged Elizabethan'

Jaspar Conran – DONNA KEBAB 4- ‘Dredged Elizabethan’




Music legend and long-time supporter of the show, Elaine Paige, said: “The Interior Designers’ Pantomime is always a fabulous night out filled with glitz, glamour and generosity – I can’t wait to see what they’ve got in store for us this year!”

Matt Pullen, AkzoNobel UK Country Director said: “AkzoNobel is delighted to have the opportunity to support the NSPCC and the fantastic work it does to protect children across the UK. The performance will be a unique opportunity to see talented interior designers put down their colour palettes and show off their acting skills to raise money for this important cause.”



Jenny Beavan - The Acolyte

Jenny Beavan – The Acolyte



Tickets priced from £20-£75 are available now, and the money raised will help the NSPCC to protect vulnerable children and prevent abuse through its projects and services including ChildLine – the UK’s free, confidential 24-hour helpline and online service for children and young people.

To find out more or to book tickets, visit www.nspcc.org.uk/panto

Performance dates and times:

Tuesday 28 October: 7.30pm

Wednesday 29 October: 7.30pm

Thursday 30 October: 7pm (black tie gala performance with champagne reception)

Friday 31 October: 7.30pm

Saturday 1 November: 2.30pm & 7.30pm



image001


About the NSPCC:

The NSPCC is the UK’s leading children’s charity specialising in child protection. Our vision is to end cruelty to children in the UK and we make a difference for all children by standing up for their rights, listening to them, helping them when they need us and by making them safe. The NSPCC runs projects and services across the United Kingdom and Channel Islands to help vulnerable children. We also provide ChildLine, the UK’s free, confidential 24-hour helpline and online service for children and young people and a helpline for adults who are worried about a child or want advice.

If you have concerns about a child or young person, you can call the NSPCC on 0808 800 5000, text 88858 or visitwww.nspcc.org.uk

Children and young people can contact ChildLine on 0800 1111 or visit www.childline.org.uk



nspcc_logo_v1



 

THE 2014 LONDON DESIGN FESTIVAL





mydesignweek_2014design_london-design-festival

ldf_2014_web_banners_top-01


Unless you’ve been living under a rock (or plagued with another bout of tonsillitis!), you will know that the London Design Festival started last week and is now in full swing. Everyone remotely interested in design has caught the bug and the city is abuzz with creativity and excitement from Chelsea to Brompton, Kensington and Notting Hill to Mayfair and Shoreditch, and so many other pockets within the capital as far as Syon Park where Decorex returns after so many years.  
Come and see us at the Redloh House Fabrics Stand 23!

A-Gent of Style will be showing you soon some of his highlights after scouring the myriads of fairs, exhibitions, events, talks and parties (of course). Stay tuned!

 Screen Shot 2014-09-21 at 14.21.34


design_destinations_2014_updated


Screen Shot 2014-09-21 at 14.25.14








© Copyright agentofstyle - Designed by Dentdelion