MASTERPIECE 2016



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Summer in London means Masterpiece, one of the landmark events in London’s collecting calendar, which opened last Thursday to the public. As a huge devotee of antiques and art fairs, A-Gent of Style was eager to witness this year’s edition, now in its 7th year, and attended the decorator preview on Wednesday, his enthusiasm hugely enhanced in the last few weeks by the daily build-up on Instagram (where else). Rating Masterpiece as one of his highlights of the London art fair circuit, A-Gent of Style was wowed this year once again by the sheer brilliance and diversity of the elegantly curated vignettes showcasing objets of the highest calibre.


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The stellar international fair brings together yet again this year more than 150 leading exhibitors, old friends and newcomers from around the world to showcase a superb selection of museum-quality art, antiques, jewellery, furniture and design. Masterpiece attracts avid collectors, connoisseurs and enthusiasts across a wide range of cross-collecting categories and has established itself as notable highlight of the annual art fair calendar. Set in the magnificent South Grounds of the Royal Hospital Chelsea, Masterpiece takes place over seven days until July 6.

Nazy Vassegh, CEO of Masterpiece Fair

Nazy Vassegh, CEO of Masterpiece Fair, with Lynn Chadwick’s Howling Beast (picture from @nazyvassegh)


The mastermind of this masterpiece, Nazy Vassegh, the glamourous and brilliant CEO of Masterpiece (don’t miss her fabulous outfits on Instagram!), says; “’For 2016 Masterpiece promises to be more exciting than ever. 154 specialist galleries from around the world are bringing treasures from the past 5,000 of art history. For collectors, curators and the curious alike Masterpiece is now firmly established as a highlight of the summer arts season.”

Galore Willy Huybrechts

Galerie Willy Huybrechts

 

A-Gent of Style made some great discoveries this year and was delighted to see some his most cherished antiques dealers exhibiting for the first time especially Galerie Willy Huybrechts with their show-stopping stand

 

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Despite the Brexit and the fall of the pound, exhibitors are remaining optimistic and the fair is showing no sign of abatement as visitors are flocking in. This year’s fair is probably the best so far so make sure you don’t miss it!

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Below a ‘small’ selection of outstanding objets and vignettes.


Siena from the hills, 1953 by Paul Feiler at Godson & Coles

Siena from the Hills, 1953 by Paul Feiler at Godson & Coles

 

Chevron mirror by Line Vautrin at Jean-David Botella

Chevron mirror by Line Vautrin at Jean-David Botella

 

Egyptian chairs by Marc du Plantier at Dutko Gallery

Egyptian chairs by Marc du Plantier at Dutko Gallery

 

at hemmer

at Hemmerle

 

Le Rythme by Tamara de Lempicka at Kunstberatung, Zurich

Le Rythme by Tamara de Lempicka at Kunstberatung, Zurich

 

Liquid Glacial Chair, 2015 by Zaha Hadid

Liquid Glacial Chair, 2015 by Zaha Hadid

 

 

Rose Uniacke

Rose Uniacke

 

The new Eden collection by Lalique at Steinway & Sons stand

The new Eden collection by Lalique at Steinway & Sons

 

Revelation, 2014 by El Anatsui

Revelation, 2014 by El Anatsui

 

Axel Vervoordt

Axel Vervoordt

 

White Straw, 2016 by Francesca Pasquale at Tornabuoni Art

White Straw, 2016 by Francesca Pasquale at Tornabuoni Art

 

Abstrakter Kopf: Licht I, 1929 by Alexej von Jawlensky

Abstrakter Kopf: Licht I, 1929 by Alexej von Jawlensky

 

 

Galerie Chenel, Paris

Galerie Chenel, Paris

 

 

Boucheron Art Deco Lapis Lazuli & coral desk clock at Symbolic & Chase

Boucheron Art Deco Lapis Lazuli & coral desk clock at Symbolic & Chase

 

Apter-Fredericks

Apter-Fredericks

 

Punch me Harder by Yoshitomo Nara at Whitestone Gallery Tokyo/Hong Kong

Punch me Harder by Yoshitomo Nara at Whitestone Gallery Tokyo/Hong Kong

 

Steinitz, Paris

Steinitz, Paris

 

Bronze by Agostino Bonalumi at Cortesi Gallery

Bronze by Agostino Bonalumi at Cortesi Gallery

 

Desk by Jacques Adnet, 1950 at Roberta Basta, Milan

Desk by Jacques Adnet, 1950 at Roberta Basta, Milan

 

Dutko Gallery

Dutko Gallery

 

Anglo-Indian armchair, c.1800-1810 at A.Mohtashemi, London

Anglo-Indian armchair, c.1800-1810 at A.Mohtashemi, London

 

Anniversary Jewellery Box at Linley, London

30th Anniversary Jewellery Box at Linley, London

 

Zaha Hadid Commemorative Salon

Zaha Hadid Commemorative Salon

 

Six-Fold screen representing the Map of the World, Edo Period, mid 19th Century at Paolo Antonacci, Rome

Six-fold screen representing the Map of the World, Edo Period, mid 19th Century at Paolo Antonacci, Rome

 

Concerto Spaziale, 1962 by Lucio Fontana at Repetto Gallery, London

Concerto Spaziale, 1962 by Lucio Fontana at Repetto Gallery, London

 

Galerie Marcilhac, Paris

Galerie Marcilhac, Paris

 

Mallett, London, New York

Mallett, London, New York

 

Egyptian painted wood sarcophagus fragment middle Kingdom, 12th Dynasty 19080-1801 BC at Rupert Wace Ancient Art

Egyptian painted wood sarcophagus fragment middle Kingdom, 12th Dynasty 1980-1801 BC at Rupert Wace Ancient Art

 

Steinway & Sons

Steinway & Sons

 

Godson & Coles

Godson & Coles

 

Based Upon

Based Upon

 

Untitled (superficie) by Enrico Castellani at M&L Fine Art

Untitled (superficie) by Enrico Castellani at M&L Fine Art

 

Geoffrey Diner gallery

Geoffrey Diner gallery

 

Factum Foundation

Factum Foundation

 

Stars Above, Stars Below, 1962 by Avinash Chandra at DAG Modern, Delhi Mumbai New York

Stars Above, Stars Below, 1962 by Avinash Chandra at DAG Modern, Delhi, Mumbai, New York

 

Modernity

Modernity, Stockholm

 

Roberta Basta, Milan

Roberta Basta, Milan

 

Tre Tempi, 1971 Fausto Melotti at Mazzoleni

Tre Tempi, 1971 Fausto Melotti at Mazzoleni

 

Robilant + Voena, London, Milan, St Moritz

Robilant + Voena, London, Milan, St Moritz

 

Ariadne Galleries, New York, London

Ariadne Galleries, New York, London

 

Gallery Anne Autegarten

Gallery Anne Autegarten

 

David Gill gallery, London

David Gill gallery, London

 

88 Gallery

88 Gallery

 

Girih chest at Linley, London

Girih chest at Linley, London

 

Green and Blue, 1971 by William Scott at Offer Waterman

Green and Blue, 1971 by William Scott at Offer Waterman

 

JGM Art

JGM Art

 

Untitled, 1942 by Arthur Dove at Collisart, LLC New York

Untitled, 1942 by Arthur Dove at Collisart, LLC New York

 

Lalannes at Jean-David Botella

Lalannes at Jean-David Botella

 

The World of Interiors

The World of Interiors

 

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– Photographs by A-Gent of Style unless stated –





PAST PRESENT FUTURE: DAVID COLLINS STUDIO TURNS 30



 

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Pearls are considered to be the oldest known and the most valuable gems in history as well as being regarded as ones of the highest for their beauty.

Similarly, timelessness, desirability and beauty are attributes that perfectly befit David Collins Studio who turns thirty today and is celebrating its pearl anniversary.


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Having reached this milestone, A-Gent of Style, a long-standing admirer of the Studio’s work and aesthetic, wanted to mark the occasion in his own way as a tribute to and celebration of a towering and much-missed personality of the design world by making a special collaborative feature with the Studio. Rather than looking back at the Studio’s past canon of work, which is much cherished and admired but has already been widely publicised, A-Gent of Style wanted to focus this time on the present and the future by showcasing a diaporama of some of David Collins Studio’s projects since the untimely death in 2013 of its acclaimed and influential creator David Collins, as well as revealing a fascinating interview with the Studio’s Communications Director, David Kendall.


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Far too dynamic to ever rest on its laurels and without a lot of fanfare and too much distraction, the Studio itself is hosting from today for two days only a one-off exhibition curated by Nick Vinson of The Vinson View, Wallpaper*: ‘PAST PRESENT FUTURE” at Philips auction house on Berkeley Square. Bringing together imagery and physical elements from some of the Studio’s most celebrated projects as well as a sneak peek at upcoming ones, the exhibition offers an insight into some of the its most definitive creations of the past three decades including its first trailblazing project La Tante Claire at Royal Hospital Road through some of it most famous destinations including Claridge’s Bar, The Wolseley, Mirabelle, Nobu Berkeley St, Bob Bob Ricard, The Connaught Bar, the Gilbert Scott and Colbert, to name but a few.


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In the last year, David Collins Studio has collaborated with a number of prestigious luxury brands on some of its notable projects to date, including the Continental restaurant at Pacific Place Hong Kong, VOGUE Lounge in Bangkok, and the Garden Lounge at the Corinthia Hotel, London. Two new departments were realised at Harrods and opened during the summer; Eveningwear and Luxury Collections. These followed the 42,000 square feet Harrods Shoe Heaven launched in August 2014. In September 2015, Alexander McQueen launched a new duplex flagship store on Rue Saint-Honoré, which follows flagships in Miami, London, New York and Tokyo, all designed by the Studio. During The London Design Festival 2015, David Collins collaborated with Italian master furniture creators Promemoria to realise the London collection: 14 pieces of furniture expanding an original Capsule Collection launched in April 2013 which have been continually refined and finessed over the last two years. The Studio also provided creative direction for the design of the new home of London Fashion Week at The Brewer Street Car Park last month. Some of you will have seen snippets of some of these projects on A-Gent‘s Instagram.

 

lewis Taylor, Simon Rawlings, Ian Watkins and David Kendall

David Collins Studio’s senior management team: Lewis Taylor, Simon Rawlings, Iain Watkins and David Kendall

 

Over the last three decades, David Collins Studio has become synonymous with redefining luxury interior design around the world and with revolutionising the contemporary aesthetic and urban landscape with its distinctive vision. Remembered for designing some of the most remarkable, innovative and desirable hotels, bars, restaurants, boutiques and residences of the last thirty-odd years in London and all around the world, its achievements are extra-ordinary and its legacy indisputable.

In the last couple of years, The Studio’s imagination and creativity has brought to fruition luxury interior design and architectural projects worldwide that are once again inspiring, unexpected, unique and thankfully not formulaic and faddish. Its incredible team of in-house designers as well as its trusted network of artisans and craftsmen have effortlessly carried the designer’s name and have kept his legacy alive and flourishing without any compromise. Reflecting myriads of influences and inspirations, the new projects are notable for how richly textured their interiors are – The Collection of David Collins estate sale last November at Christie’s was aptly named  “Luxury – Colour – Texture” – and these new projects feel simultaneously contemporary and already established, rooted in the life and traditions of their respective location. Each of them exemplifies the Studio’s extraordinary capacity to grow, flourish and reinvent and reinterpret itself.

 

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An interview with David Kendall, David Collins Studio’s Communications Director

 

David Kendall, Communications Director, David Collins Studio



How did David Collins Studio look back on the last three decades?

We have a vast archive of project imagery going back thirty years, and so we started with this, and really worked with Nick [Vinson] to create an edit of the projects and imagery. Not every project is shown, Nick has curated a series of narratives from the imagery which has been a really interesting process as we are so used to looking at this body of work and it is wonderful to get a different point of view.

 
With such a vast and varied heritage, how did you come up with the most-fitting approach to celebrate this landmark?
 
We discussed a lot of ideas about how to celebrate the anniversary and knew we wanted to create an exhibition, but really when Nick became involved he was able to give clarity to what we would present – he is a very decisive editor!

Why an exhibition? Can you tell us about its genesis and purpose?

The purpose is primarily to celebrate our heritage, our Studio and to look to our future. Beyond that, collaborating with Inca our production company, with Nick Vinson and Leila Latchin our set designer, and with Phillips, has been an amazing opportunity!

 
Tell us about your collaboration with Nick Vinson and his vision for this exhibition. 
 
We have always had a good dialogue with Nick, he understands where The Studio has come from and knows the current team here, so he was the obvious choice. It was so important for this project to find trusted partners, and I think we have been very lucky to have such a great team.


How is the studio balancing the David Collins legacy with the need to develop new ideas?

As a Studio we have never stayed still and the exhibition will demonstrate this. Every David Collins Studio project is sympathetic to its location and so will be different to the next. We have always trialled new ideas and allowed the designers to experiment, and we push ourselves to constantly refine work and not to settle for less than the best we can deliver. 

Would you say there are David Collins design hallmarks or is it more about an underlying ethos? 

You can look at our work and say it is about colour or symmetry or geometry, or texture and detail and lighting, but really the consistent is that our projects function and operate allowing them longevity. Simon Rawlings our creative director worked with David Collins for over 15 years and so he understood and shared his vision. There is an underlying ethos, and that is the spirit with which David built The Studio and mentored his team and the processes that were instilled in the office.

 
Why are clients are still attracted to the David Collins brand? 
 
Well, we are in our thirtieth year and have proven we can deliver! We have a heritage and that is really what this exhibition celebrates! David Collins is our heritage, our projects and their success is our heritage and our clients are our heritage, and when seen together it is a lot to take in! Our 60-strong office behaves professionally and integrates into teams across the globe to realise complex projects.


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What new projects do you have coming up? 
 
We have a number of important projects that we are working on globally. As the exhibition focuses on the past, the present and the future, these are presented in the exhibition to give a snapshot of what is coming next! 

 
In thirty years’ time when people look back, what will they say is David’s legacy?
 
They will see a Studio, they will see a body of work and a canon of projects, they will see a team, and they will see an interiors language that developed but didn’t follow trends and a series of projects that are sympathetic to their location and multi-layered and highly detailed. 
 


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The images below are the undeniable proof that David Collins Studio has turned all of their new enterprises into glorious hallmarks that already bear the creator’s unique and indelible style, vision and DNA. David Collins Studio’s journey to enhance our lives is far from over. It has just started.

– Happy anniversary –

 


Projects by David Collins Studio 2013-2015

Coffeemania

Coffeemania, Moscow, 2013

 

 

One Canada Square

One Canada Square, London, 2013

 

 

Alexander McQueen Tokyo

Alexander McQueen, Tokyo, 2014

 

 

Vogue Lounge, Bangkok

Vogue Lounge, Bangkok, 2014



The Continental

The Continental, Pacific Place, Hong Kong, 2014

 

Jimmy Choo Townhouse, London

Jimmy Choo Townhouse, London, 2014

 

Restaurant at PAD, London, 2014

Restaurant at PAD, London, 2014

 

Mahanakhon

Mahanakhon, Bangkok, 2014

 

London Fashion Week, Brewer Street Car Park, London

London Fashion Week, Brewer Street Car Park, London, 2015

 

London Fashion Week, Brewer Street Car Park, London

London Fashion Week, Brewer Street Car Park, London, 2015

 

Louis Leeman, Madison Ave, New York, 2015

Louis Leeman, Madison Avenue, New York, 2015

 

Promemoria 2015 Collection

Promemoria 2015 Collection, London



Promemoria 2015 Collection

Promemoria 2015 Collection, London

 

The Garden Lounge

The Garden Lounge, The Corinthia Hotel, London, 2015

 

Alexander McQueen, Paris

Alexander McQueen, Paris, 2015

 

 

A special thanks to David Kendall and Jodi Feder at David Collins Studio for their help, trust and support.

– Photos by David Collins Studio –







MASTERPIECE LONDON 2015



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Summer in London means Masterpiece, one of the landmark events in London’s collecting calendar, which opened yesterday to the public. As a huge devotee of antiques and art fairs, A-Gent of Style was eager to witness this year’s edition, now in its 6th year, and attended the preview on Wednesday, his enthusiasm hugely enhanced in the last few weeks by the daily build-up on Instagram (where else). Rating Masterpiece as one of his highlights of the London art fair circuit, A-Gent of Style was wowed this year once again by the sheer brilliance and diversity of the elegantly curated vignettes showcasing objets of the highest calibre


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Masterpiece London, a true international, cross-collecting fair for art, brings together more than 150 leading exhibitors, old friends and newcomers (A-Gent of Style made once again some great discoveries, and was also delighted to see a few of his most cherished antiques dealers were exhibiting for the first time), from around the world to showcase a superb selection of museum-quality art, antiques, jewellery, furniture and design. The fair attracts avid collectors, connoisseurs and enthusiasts across a wide range of collecting categories and has established itself as notable highlight of the annual art fair calendar. Set in the magnificent South Grounds of the Royal Hospital Chelsea, Masterpiece takes place over seven days until July 1.

Nazy Vassegh, Chief Executive Masterpiece Fair, London

Nazy Vassegh, Chief Executive of Masterpiece Fair, London

 

The mastermind of this masterpiece, Nazy Vassegh, the delightful and brilliant Chief Executive of Masterpiece says, “The eight days when Masterpiece takes place is the epicenter of the art season in London. After just five years Masterpiece is now firmly regarded as both a leading international art fair and a welcome addition to the summer in London. We are particularly delighted by the exhibitors and partners that will join us for the 2015 edition.”


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As in previous years, the range of disciplines is vast, providing something of interest for every visitor. Each item is selected and individually vetted by a committee of independent experts and specialists before the fair begins, which guarantees quality and authenticity is of the highest order alongside fabulous bars and dining such as Scott’s, The Ivy and Le Caprice.

 In no particular order of preference (so don’t get jealous, fellas), A-Gent of Style presents today snapshots he took on Wednesday morning of some of the works that dazzled him. Visitors will no doubt relish the chance to acquire such rare pieces or simply enjoy temptation on a grand scale.


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– Photos by A-Gent of Style –





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