LEARNING HIS STRIPES: PAUL SMITH & THE DESIGN MUSEUM






Today’s recipient needs little introduction. Most of you will have instantly recognised the image above and will have, at one point or another, held a bag or a gift box adorned by this iconic pinstriped barcode with its trademark rainbow of multifarious colours that is universally associated with the signature logo of …




Paul Smith‘s illustrious career and exceptional impact on the world of fashion and retail is the subject of a much-anticipated exhibition this winter
at the brilliant Design Museum in London.

“Hello, my name is Paul Smith” is a major retrospective opening on Friday until March 9, 2014 that will give a comprehensive insight into the five decades of the British designer and retailer’s world, influences, achievements and working methods.


Due to the huge popularity and influence of the designer (his empire is represented in 72 countries), the exhibition is likely to appeal to a broad audience and break visitor figure records – and even the Design Museum’s own records as it already celebrated the designer in 2001 with its ‘True Brit” exhibition.




The rich visual experience curated by Donna Loveday (she of the museum’s hugely successful Christian Louboutin show last year) will take the shape of a long corridor and will chart the designer, retailer and businessman’s career throughout various media (music, photographs, artifacts, projections, films, soundbites) and approaches such as these:




a display of Sir Paul’ Smith’s daring sartorial creations from collections selected by the designer himself dating back to his first show in Paris in 1976 up to today
(the company shows an impressive fourteen different collections every year), personal archives, hand-drawn sketches and other inspirational elements that make Paul Smith’s mind tick and creativity flow, a reconstruction of Smith’s first humble 1970 shop in Nottingham famously measuring three metres square, a makeshift version of his current studio and a room dedicated to the paraphernalia he’s received from his adoring fans throughout the years, most probably from Japan where his fan base is huge.








Another area will also be devoted to his architect wife Pauline whom has had a huge influence on his work, another one will showcase the unique design behind each of his stores accompanied by selection of jewellery, books, artworks, antiques, objets and curiosités that typically complement the clothes, and of course his great, whimsical collaborations ranging from cars (Rover’s Mini), cameras (Leica) and rugs (The Rug Company) to water bottles (Evian) and bicycles (Rapha) – Smith aspired to a be a professional cyclist until a road accident crushed his dreams when he was fifteen – and a special feature giving the visitors a glimpse into the brand’s future projects.






From his impeccably smart and tailored menswear and womenswear, his inventive approach to fabric, colour and pattern to his principles of traditional craftsmanship of tailoring and techniques with a contemporary edge, and his ‘English eccentric’ twist and Brit-wit style,  A-Gent of Style has been a huge admirer of Sir Paul Smith and looks forward to entering this world of “creation, inspiration, collaboration, wit and beauty” that epitomises the man behind one of the most quintessential British labels and leading fashion brands in the world.



Paul Smith stores – interiors and exteriors

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Paul Smith Spring/Summer 2014 collection

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Paul Smith objets and collaborations

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A Channel 4 interview





A BBC interview






During the run of the exhibition, the Design Museum will be hosting a series of exciting events such as Paul Smith Instagram Takeover, Live Twitter Q&A with Paul Smith and Sophie Hicks on Designing for Paul Smith.








A book “Hello, My Name is Paul Smith” published by Rizzoli will be published to coincide with the exhibition



 

 

WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN…MILES ALDRIDGE



 



Nothing like a long bank holiday weekend to catch up with your sleep, your friends and some culture.

A-Gent of Style headed to Somerset House to catch Miles Aldridge’s I Only Want You to Love Me exhibition.

The largest retrospective – named after a 1976 Fassbinder’s film – of the English fashion photographer and artist’s oeuvre spans his career from the 1990s to the present day and includes previously unpublished material.





Expect to see his best-known large-scale photographs that have made him famous throughout top fashion and art magazines and enter his fabulous Technicolor world: beautiful and glamourous women featuring in highly stylised and sexual, colour-saturated settings of a seemingly perfect world which, on closer look, highlights inner turmoil and neuroses. Often in a supine and dramatic position, his sitters look at times dazed, empty, conflicted, passive, psychotic or ambivalent. His hyperreal, cinematic universe is redolent of famed directors like Buñuel, Fellini, Bergman, Hitchcock, David Lynch and of course photographers like David LaChapelle and Richard Avedon.

And if you want to take Miles Aldridge and his models home, a fabulous book by the same name has been published by Rizzoli to coincide with the exhibition.






















































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