There is a very important event not to be missed at the moment in London.
Sibyl Colefax & John Fowler are currently celebrating until December 5, 2016 artist Jeremiah Goodman and hosting his first London show in the iconic Nancy Lancaster’s Yellow Room, Brook Street. This exhibition, beautifully curated by Dean Rhys Morgan, is slightly tinted with emotions as it the last time one will be able to visit this incredible place before the company moves their headquarters by the end of the year to Pimlico Road (the room has already been stripped of all its furniture). Consider it the end of an era. If you haven’t been yet, this is your last chance. 

Photo from Jeremiah's Instagram

Photo from Jeremiah’s Instagram


Jeremiah, as he is simply known, is the famed watercolour and gouache illustrator revered within the interior design and architectural communities for his rare ability to infuse empty rooms with warmth and personality. He has worked in some of the most exclusive enclaves in the world and has been commissioned by an illustrious clientèle ranging from the world of literature and theatre (Edward Albee, Greta Garbo, Sir John Gielgud), music (Richard Rodgers), fashion (Yves Saint Laurent, Elsa Schiaparelli, Diana Vreeland, Carolina Herrera), art (Cecil Beaton, Pablo Picasso), interior decoration (Dorothy Draper, Billy Baldwin, David Hicks, Mario Buatta), socialites (the Rothschilds, Betsy Bloomingdale), royalty (The Duchess of Windsor), politics (the Reagans), to name but a few, and more recently influential people such as Bruce Weber and the Reed-Krakoffs.

Back in New York, the unstoppable artist – a true gentleman with whom I have had enjoyable conversations on Instagram – can be found every day at his drawing board in his Upper East side apartment working on private commissions but also on commercial assignments for advertisements, catalogues and artworks. His work is in the permanent collections of both the Cooper-Hewitt National Design Museum and The Metropolitan Museum of Art in New York.










Bust in bronze of Jeremiah by Richard Frazier, 1953


His stylish and studied renderings have been published in some of the most distinguished publications such as Harper’s BazaarHouse & GardenVogue, Vanity Fair magazines, The New York Times and Interior Design magazine whose covers he illustrated every month for 15 years from 1949 until 1964. He received in 1987 the prestigious Hall of Fame Award in recognition for his contribution in the field of Interior Design. Throughout his career, Jeremiah also embarked on numerous furniture design and product design projects such as fabrics and wallpapers.

A-Gent of Style adores the enchanting, moody atmosphere and unique air of mysticism that emanate from Goodman’s plates of artwork. There is a great sense of emotions, drama and ephemera in each of his watercolours but also depth and movement despite the static nature of this medium. One can’t but admire the way he captures light and shadow, and infuse rooms with warmth and personality, consequently giving them vitality and life.

Jeremiah’s prolific body of work throughout the decades:

Tony Duquette's living room

Tony Duquette’s living room

Greta Garbo's sitting-room

Greta Garbo’s sitting room

David Hicks's living room

David Hicks’s living room



Diana Vreeland's 'Garden in Hell' sitting room

Diana Vreeland’s ‘Garden in Hell’ sitting room



The Board room of the Vie-a-Merez, Florida

The Board Room at the Vie-a-Merez, Florida


Little Chalfield, the family home of William Bankier Henderson

Little Chalfield, the family home of William Bankier Henderson




Elsa Perretti's bedroom

Elsa Perretti’s bedroom


Edward Robinsons's living room by Frances Ekins

Edward Robinsons’s living room by Frances Ekins



Edward Albee's loft

Edward Albee’s loft



Sir John Gielgud's sitting room

Sir John Gielgud’s sitting room



Tony Duquette's oriental garden

Tony Duquette’s oriental garden



Leonard Stanley's bedroom

Leonard Stanley’s bedroom


Cecil Beaton's garden room

Cecil Beaton’s garden room



Dorothy and Richard Rogers's living room

Dorothy and Richard Rogers’s living room



Betsy Bloomingdale's living room

Betsy Bloomingdale’s living room



The Bedroom of Madame 'X'

The Bedroom of Madame ‘X’




Bruce Weber's living room

Bruce Weber’s living room



Mr and Mrs Dan Melnick's living room

Mr and Mrs Dan Melnick’s living room




Jeremiah Goodman's Goya-inspired bedroom

Jeremiah Goodman’s Goya-inspired bedroom


Cecil Beaton's sun room

Cecil Beaton’s sun room



French Riviera

French Riviera



Reed-Krakoff's living room

Reed-Krakoff’s living room


Carolina Herrera's sitting room

Carolina Herrera’s sitting room

Baron and Baroness de Rothschild's living room, Chateau de Mouton

Baron and Baroness de Rothschild’s living room, Chateau de Mouton



Colonel and Lady Jenner's bedroom

Colonel and Lady Jenner’s bedroom



Jeremyah Goodman's living room

Jeremiah’s living room

Duchess of Windor's country bedroom

Duchess of Windor’s country bedroom



Jeremiah’s living room



Betsy Bloomingdale's living room

Betsy Bloomingdale’s living room






NYC 's Lincoln Centre

NYC ‘s Lincoln Centre


Seattle World's Fair

Seattle World’s Fair, 1961



Seattle World's Fair, 1961

Seattle World’s Fair, 1961



Armani perfume promotion

Armani perfume promotion



Stock Exchange, Melbourne

Stock Exchange, Melbourne








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Pearls are considered to be the oldest known and the most valuable gems in history as well as being regarded as ones of the highest for their beauty.

Similarly, timelessness, desirability and beauty are attributes that perfectly befit David Collins Studio who turns thirty today and is celebrating its pearl anniversary.


Having reached this milestone, A-Gent of Style, a long-standing admirer of the Studio’s work and aesthetic, wanted to mark the occasion in his own way as a tribute to and celebration of a towering and much-missed personality of the design world by making a special collaborative feature with the Studio. Rather than looking back at the Studio’s past canon of work, which is much cherished and admired but has already been widely publicised, A-Gent of Style wanted to focus this time on the present and the future by showcasing a diaporama of some of David Collins Studio’s projects since the untimely death in 2013 of its acclaimed and influential creator David Collins, as well as revealing a fascinating interview with the Studio’s Communications Director, David Kendall.

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Far too dynamic to ever rest on its laurels and without a lot of fanfare and too much distraction, the Studio itself is hosting from today for two days only a one-off exhibition curated by Nick Vinson of The Vinson View, Wallpaper*: ‘PAST PRESENT FUTURE” at Philips auction house on Berkeley Square. Bringing together imagery and physical elements from some of the Studio’s most celebrated projects as well as a sneak peek at upcoming ones, the exhibition offers an insight into some of the its most definitive creations of the past three decades including its first trailblazing project La Tante Claire at Royal Hospital Road through some of it most famous destinations including Claridge’s Bar, The Wolseley, Mirabelle, Nobu Berkeley St, Bob Bob Ricard, The Connaught Bar, the Gilbert Scott and Colbert, to name but a few.

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In the last year, David Collins Studio has collaborated with a number of prestigious luxury brands on some of its notable projects to date, including the Continental restaurant at Pacific Place Hong Kong, VOGUE Lounge in Bangkok, and the Garden Lounge at the Corinthia Hotel, London. Two new departments were realised at Harrods and opened during the summer; Eveningwear and Luxury Collections. These followed the 42,000 square feet Harrods Shoe Heaven launched in August 2014. In September 2015, Alexander McQueen launched a new duplex flagship store on Rue Saint-Honoré, which follows flagships in Miami, London, New York and Tokyo, all designed by the Studio. During The London Design Festival 2015, David Collins collaborated with Italian master furniture creators Promemoria to realise the London collection: 14 pieces of furniture expanding an original Capsule Collection launched in April 2013 which have been continually refined and finessed over the last two years. The Studio also provided creative direction for the design of the new home of London Fashion Week at The Brewer Street Car Park last month. Some of you will have seen snippets of some of these projects on A-Gent‘s Instagram.


lewis Taylor, Simon Rawlings, Ian Watkins and David Kendall

David Collins Studio’s senior management team: Lewis Taylor, Simon Rawlings, Iain Watkins and David Kendall


Over the last three decades, David Collins Studio has become synonymous with redefining luxury interior design around the world and with revolutionising the contemporary aesthetic and urban landscape with its distinctive vision. Remembered for designing some of the most remarkable, innovative and desirable hotels, bars, restaurants, boutiques and residences of the last thirty-odd years in London and all around the world, its achievements are extra-ordinary and its legacy indisputable.

In the last couple of years, The Studio’s imagination and creativity has brought to fruition luxury interior design and architectural projects worldwide that are once again inspiring, unexpected, unique and thankfully not formulaic and faddish. Its incredible team of in-house designers as well as its trusted network of artisans and craftsmen have effortlessly carried the designer’s name and have kept his legacy alive and flourishing without any compromise. Reflecting myriads of influences and inspirations, the new projects are notable for how richly textured their interiors are – The Collection of David Collins estate sale last November at Christie’s was aptly named  “Luxury – Colour – Texture” – and these new projects feel simultaneously contemporary and already established, rooted in the life and traditions of their respective location. Each of them exemplifies the Studio’s extraordinary capacity to grow, flourish and reinvent and reinterpret itself.


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An interview with David Kendall, David Collins Studio’s Communications Director


David Kendall, Communications Director, David Collins Studio

How did David Collins Studio look back on the last three decades?

We have a vast archive of project imagery going back thirty years, and so we started with this, and really worked with Nick [Vinson] to create an edit of the projects and imagery. Not every project is shown, Nick has curated a series of narratives from the imagery which has been a really interesting process as we are so used to looking at this body of work and it is wonderful to get a different point of view.

With such a vast and varied heritage, how did you come up with the most-fitting approach to celebrate this landmark?
We discussed a lot of ideas about how to celebrate the anniversary and knew we wanted to create an exhibition, but really when Nick became involved he was able to give clarity to what we would present – he is a very decisive editor!

Why an exhibition? Can you tell us about its genesis and purpose?

The purpose is primarily to celebrate our heritage, our Studio and to look to our future. Beyond that, collaborating with Inca our production company, with Nick Vinson and Leila Latchin our set designer, and with Phillips, has been an amazing opportunity!

Tell us about your collaboration with Nick Vinson and his vision for this exhibition. 
We have always had a good dialogue with Nick, he understands where The Studio has come from and knows the current team here, so he was the obvious choice. It was so important for this project to find trusted partners, and I think we have been very lucky to have such a great team.

How is the studio balancing the David Collins legacy with the need to develop new ideas?

As a Studio we have never stayed still and the exhibition will demonstrate this. Every David Collins Studio project is sympathetic to its location and so will be different to the next. We have always trialled new ideas and allowed the designers to experiment, and we push ourselves to constantly refine work and not to settle for less than the best we can deliver. 

Would you say there are David Collins design hallmarks or is it more about an underlying ethos? 

You can look at our work and say it is about colour or symmetry or geometry, or texture and detail and lighting, but really the consistent is that our projects function and operate allowing them longevity. Simon Rawlings our creative director worked with David Collins for over 15 years and so he understood and shared his vision. There is an underlying ethos, and that is the spirit with which David built The Studio and mentored his team and the processes that were instilled in the office.

Why are clients are still attracted to the David Collins brand? 
Well, we are in our thirtieth year and have proven we can deliver! We have a heritage and that is really what this exhibition celebrates! David Collins is our heritage, our projects and their success is our heritage and our clients are our heritage, and when seen together it is a lot to take in! Our 60-strong office behaves professionally and integrates into teams across the globe to realise complex projects.


What new projects do you have coming up? 
We have a number of important projects that we are working on globally. As the exhibition focuses on the past, the present and the future, these are presented in the exhibition to give a snapshot of what is coming next! 

In thirty years’ time when people look back, what will they say is David’s legacy?
They will see a Studio, they will see a body of work and a canon of projects, they will see a team, and they will see an interiors language that developed but didn’t follow trends and a series of projects that are sympathetic to their location and multi-layered and highly detailed. 

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The images below are the undeniable proof that David Collins Studio has turned all of their new enterprises into glorious hallmarks that already bear the creator’s unique and indelible style, vision and DNA. David Collins Studio’s journey to enhance our lives is far from over. It has just started.

– Happy anniversary –


Projects by David Collins Studio 2013-2015


Coffeemania, Moscow, 2013



One Canada Square

One Canada Square, London, 2013



Alexander McQueen Tokyo

Alexander McQueen, Tokyo, 2014



Vogue Lounge, Bangkok

Vogue Lounge, Bangkok, 2014

The Continental

The Continental, Pacific Place, Hong Kong, 2014


Jimmy Choo Townhouse, London

Jimmy Choo Townhouse, London, 2014


Restaurant at PAD, London, 2014

Restaurant at PAD, London, 2014



Mahanakhon, Bangkok, 2014


London Fashion Week, Brewer Street Car Park, London

London Fashion Week, Brewer Street Car Park, London, 2015


London Fashion Week, Brewer Street Car Park, London

London Fashion Week, Brewer Street Car Park, London, 2015


Louis Leeman, Madison Ave, New York, 2015

Louis Leeman, Madison Avenue, New York, 2015


Promemoria 2015 Collection

Promemoria 2015 Collection, London

Promemoria 2015 Collection

Promemoria 2015 Collection, London


The Garden Lounge

The Garden Lounge, The Corinthia Hotel, London, 2015


Alexander McQueen, Paris

Alexander McQueen, Paris, 2015



A special thanks to David Kendall and Jodi Feder at David Collins Studio for their help, trust and support.

– Photos by David Collins Studio –


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Designing with art is an art form in itself. When unique interiors display art in the home and best showcase the client’s private collections, the results can be utterly dazzling especially when the boundaries between art and decoration are blurred.

Following the success of last year’s exhibition “From the Gallery to the Room”,
Sibyl Colefax & John Fowler, the worldwide renowned interior decorators’ practice, are delighted to present the 2015 exhibition, in association with Jenna Burlingham Fine Art.

 Starting on Wednesday 17 June until Friday 26 June, “A Room with a View: Art and the Interior” will return to the company’s iconic 39 Brook Street, Mayfair venue, and will have on show works by leading Modern British artists including Ivon Hitchens, Patrick Heron, Roger Hilton, Elisabeth Frink, Winifred Nicholson, Mary Fedden and John Piper.


 “The exhibition gives us the opportunity to show what an exciting dynamic can be created in our Brook Street showroom by mixing our furniture and antiques with modern paintings” says Philip Hooper, design director for Sibyl Colefax & John Fowler. “Jenna’s eye for the decorative means that her works are the ideal foil for our antiques. A Room with a view: Art and the Interior gives a true insight of how we consistently find ourselves decorating houses for the 21st century.”

Visitors will be able to enjoy and appreciate the work of these artists, and engage with Sibyl Colefax & John Fowler’s interiors in a new and unusual way.  This, once again, is a great way of broadening up the art’s appeal where classic, modern and contemporary style connect and merge harmoniously.

 “The exhibition is a wonderful chance for me to work with accomplished interior designers, and to exhibit carefully chosen Modern British and Contemporary art, drawings, sculpture and ceramics in the unrivalled setting of Brook Street” says Jenna Burlingham


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Exhibition opening times: Monday – Friday 9.30am – 5.30pm

For further information, contact:

Colefax Group Press Office Trudi Ballard Email: Tel: (0)207 493 2231

– All imagery by Sibyl Colefax & John Fowler –

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