There is a very important event not to be missed at the moment in London.
Sibyl Colefax & John Fowler are currently celebrating until December 5, 2016 artist Jeremiah Goodman and hosting his first London show in the iconic Nancy Lancaster’s Yellow Room, Brook Street. This exhibition, beautifully curated by Dean Rhys Morgan, is slightly tinted with emotions as it the last time one will be able to visit this incredible place before the company moves their headquarters by the end of the year to Pimlico Road (the room has already been stripped of all its furniture). Consider it the end of an era. If you haven’t been yet, this is your last chance.
Jeremiah, as he is simply known, is the famed watercolour and gouache illustrator revered within the interior design and architectural communities for his rare ability to infuse empty rooms with warmth and personality. He has worked in some of the most exclusive enclaves in the world and has been commissioned by an illustrious clientèle ranging from the world of literature and theatre (Edward Albee, Greta Garbo, Sir John Gielgud), music (Richard Rodgers), fashion (Yves Saint Laurent, Elsa Schiaparelli, Diana Vreeland, Carolina Herrera), art (Cecil Beaton, Pablo Picasso), interior decoration (Dorothy Draper, Billy Baldwin, David Hicks, Mario Buatta), socialites (the Rothschilds, Betsy Bloomingdale), royalty (The Duchess of Windsor), politics (the Reagans), to name but a few, and more recently influential people such as Bruce Weber and the Reed-Krakoffs.
Back in New York, the unstoppable artist – a true gentleman with whom I have had enjoyable conversations on Instagram – can be found every day at his drawing board in his Upper East side apartment working on private commissions but also on commercial assignments for advertisements, catalogues and artworks. His work is in the permanent collections of both the Cooper-Hewitt National Design Museum and The Metropolitan Museum of Art in New York.
Bust in bronze of Jeremiah by Richard Frazier, 1953
His stylish and studied renderings have been published in some of the most distinguished publications such as Harper’s Bazaar, House & Garden, Vogue, Vanity Fair magazines, The New York Times and Interior Design magazine whose covers he illustrated every month for 15 years from 1949 until 1964. He received in 1987 the prestigious Hall of Fame Award in recognition for his contribution in the field of Interior Design. Throughout his career, Jeremiah also embarked on numerous furniture design and product design projects such as fabrics and wallpapers.
A-Gent of Style adores the enchanting, moody atmosphere and unique air of mysticism that emanate from Goodman’s plates of artwork. There is a great sense of emotions, drama and ephemera in each of his watercolours but also depth and movement despite the static nature of this medium. One can’t but admire the way he captures light and shadow, and infuse rooms with warmth and personality, consequently giving them vitality and life.
Jeremiah’s prolific body of work throughout the decades:
Pearls are considered to be the oldest known and the most valuable gems in history as well as being regarded as ones of the highest for their beauty.
Similarly, timelessness, desirability and beauty are attributes that perfectly befit David Collins Studio who turns thirty today and is celebrating its pearl anniversary.
Having reached this milestone, A-Gent of Style, a long-standing admirer of the Studio’s work and aesthetic, wanted to mark the occasion in his own way as a tribute to and celebration of a towering and much-missed personality of the design world by making a special collaborative feature with the Studio. Rather than looking back at the Studio’s past canon of work, which is much cherished and admired but has already been widely publicised, A-Gent of Style wanted to focus this time on the present and the future by showcasing a diaporama of some of David Collins Studio’s projects since the untimely death in 2013 of its acclaimed and influential creator David Collins, as well as revealing a fascinating interview with the Studio’s Communications Director, David Kendall.
Far too dynamic to ever rest on its laurels and without a lot of fanfare and too much distraction, the Studio itself is hosting from today for two days only a one-off exhibition curated by Nick Vinson of The Vinson View, Wallpaper*: ‘PAST PRESENT FUTURE” at Philips auction house on Berkeley Square. Bringing together imagery and physical elements from some of the Studio’s most celebrated projects as well as a sneak peek at upcoming ones, the exhibition offers an insight into some of the its most definitive creations of the past three decades including its first trailblazing project La Tante Claire at Royal Hospital Road through some of it most famous destinations including Claridge’s Bar, The Wolseley, Mirabelle, Nobu Berkeley St, Bob Bob Ricard, The Connaught Bar, the Gilbert Scott and Colbert, to name but a few.
In the last year, David Collins Studio has collaborated with a number of prestigious luxury brands on some of its notable projects to date, including the Continental restaurant at Pacific Place Hong Kong, VOGUE Lounge in Bangkok, and the Garden Lounge at the Corinthia Hotel, London. Two new departments were realised at Harrods and opened during the summer; Eveningwear and Luxury Collections. These followed the 42,000 square feet Harrods Shoe Heaven launched in August 2014. In September 2015, Alexander McQueen launched a new duplex flagship store on Rue Saint-Honoré, which follows flagships in Miami, London, New York and Tokyo, all designed by the Studio. During The London Design Festival 2015, David Collins collaborated with Italian master furniture creators Promemoria to realise the London collection: 14 pieces of furniture expanding an original Capsule Collection launched in April 2013 which have been continually refined and finessed over the last two years. The Studio also provided creative direction for the design of the new home of London Fashion Week at The Brewer Street Car Park last month. Some of you will have seen snippets of some of these projects on A-Gent‘s Instagram.
Over the last three decades, David Collins Studio has become synonymous with redefining luxury interior design around the world and with revolutionising the contemporary aesthetic and urban landscape with its distinctive vision. Remembered for designing some of the most remarkable, innovative and desirable hotels, bars, restaurants, boutiques and residences of the last thirty-odd years in London and all around the world, its achievements are extra-ordinary and its legacy indisputable.
In the last couple of years, The Studio’s imagination and creativity has brought to fruition luxury interior design and architectural projects worldwide that are once again inspiring, unexpected, unique and thankfully not formulaic and faddish. Its incredible team of in-house designers as well as its trusted network of artisans and craftsmen have effortlessly carried the designer’s name and have kept his legacy alive and flourishing without any compromise. Reflecting myriads of influences and inspirations, the new projects are notable for how richly textured their interiors are – The Collection of David Collins estate sale last November at Christie’s was aptly named “Luxury – Colour – Texture” – and these new projects feel simultaneously contemporary and already established, rooted in the life and traditions of their respective location. Each of them exemplifies the Studio’s extraordinary capacity to grow, flourish and reinvent and reinterpret itself.
An interview with David Kendall, David Collins Studio’s Communications Director
How did David Collins Studio look back on the last three decades?
Why an exhibition? Can you tell us about its genesis and purpose?
How is the studio balancing the David Collins legacy with the need to develop new ideas?
Would you say there are David Collins design hallmarks or is it more about an underlying ethos?
You can look at our work and say it is about colour or symmetry or geometry, or texture and detail and lighting, but really the consistent is that our projects function and operate allowing them longevity. Simon Rawlings our creative director worked with David Collins for over 15 years and so he understood and shared his vision. There is an underlying ethos, and that is the spirit with which David built The Studio and mentored his team and the processes that were instilled in the office.
The images below are the undeniable proof that David Collins Studio has turned all of their new enterprises into glorious hallmarks that already bear the creator’s unique and indelible style, vision and DNA. David Collins Studio’s journey to enhance our lives is far from over. It has just started.
– Happy anniversary –
Projects by David Collins Studio 2013-2015
A special thanks to David Kendall and Jodi Feder at David Collins Studio for their help, trust and support.
– Photos by David Collins Studio –
Designing with art is an art form in itself. When unique interiors display art in the home and best showcase the client’s private collections, the results can be utterly dazzling especially when the boundaries between art and decoration are blurred.
Following the success of last year’s exhibition “From the Gallery to the Room”,
Sibyl Colefax & John Fowler, the worldwide renowned interior decorators’ practice, are delighted to present the 2015 exhibition, in association with Jenna Burlingham Fine Art.
Starting on Wednesday 17 June until Friday 26 June, “A Room with a View: Art and the Interior” will return to the company’s iconic 39 Brook Street, Mayfair venue, and will have on show works by leading Modern British artists including Ivon Hitchens, Patrick Heron, Roger Hilton, Elisabeth Frink, Winifred Nicholson, Mary Fedden and John Piper.
“The exhibition gives us the opportunity to show what an exciting dynamic can be created in our Brook Street showroom by mixing our furniture and antiques with modern paintings” says Philip Hooper, design director for Sibyl Colefax & John Fowler. “Jenna’s eye for the decorative means that her works are the ideal foil for our antiques. A Room with a view: Art and the Interior gives a true insight of how we consistently find ourselves decorating houses for the 21st century.”
Visitors will be able to enjoy and appreciate the work of these artists, and engage with Sibyl Colefax & John Fowler’s interiors in a new and unusual way. This, once again, is a great way of broadening up the art’s appeal where classic, modern and contemporary style connect and merge harmoniously.
“The exhibition is a wonderful chance for me to work with accomplished interior designers, and to exhibit carefully chosen Modern British and Contemporary art, drawings, sculpture and ceramics in the unrivalled setting of Brook Street” says Jenna Burlingham
Exhibition opening times: Monday – Friday 9.30am – 5.30pm
For further information, contact:
Colefax Group Press Office Trudi Ballard Email: firstname.lastname@example.org Tel: (0)207 493 2231
– All imagery by Sibyl Colefax & John Fowler –