MASTERPIECE LONDON 2015



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Summer in London means Masterpiece, one of the landmark events in London’s collecting calendar, which opened yesterday to the public. As a huge devotee of antiques and art fairs, A-Gent of Style was eager to witness this year’s edition, now in its 6th year, and attended the preview on Wednesday, his enthusiasm hugely enhanced in the last few weeks by the daily build-up on Instagram (where else). Rating Masterpiece as one of his highlights of the London art fair circuit, A-Gent of Style was wowed this year once again by the sheer brilliance and diversity of the elegantly curated vignettes showcasing objets of the highest calibre


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Masterpiece London, a true international, cross-collecting fair for art, brings together more than 150 leading exhibitors, old friends and newcomers (A-Gent of Style made once again some great discoveries, and was also delighted to see a few of his most cherished antiques dealers were exhibiting for the first time), from around the world to showcase a superb selection of museum-quality art, antiques, jewellery, furniture and design. The fair attracts avid collectors, connoisseurs and enthusiasts across a wide range of collecting categories and has established itself as notable highlight of the annual art fair calendar. Set in the magnificent South Grounds of the Royal Hospital Chelsea, Masterpiece takes place over seven days until July 1.

Nazy Vassegh, Chief Executive Masterpiece Fair, London

Nazy Vassegh, Chief Executive of Masterpiece Fair, London

 

The mastermind of this masterpiece, Nazy Vassegh, the delightful and brilliant Chief Executive of Masterpiece says, “The eight days when Masterpiece takes place is the epicenter of the art season in London. After just five years Masterpiece is now firmly regarded as both a leading international art fair and a welcome addition to the summer in London. We are particularly delighted by the exhibitors and partners that will join us for the 2015 edition.”


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As in previous years, the range of disciplines is vast, providing something of interest for every visitor. Each item is selected and individually vetted by a committee of independent experts and specialists before the fair begins, which guarantees quality and authenticity is of the highest order alongside fabulous bars and dining such as Scott’s, The Ivy and Le Caprice.

 In no particular order of preference (so don’t get jealous, fellas), A-Gent of Style presents today snapshots he took on Wednesday morning of some of the works that dazzled him. Visitors will no doubt relish the chance to acquire such rare pieces or simply enjoy temptation on a grand scale.


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– Photos by A-Gent of Style –





A ROOM WITH A VIEW: ART AND THE INTERIOR at SIBYL COLEFAX & JOHN FOWLER





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Designing with art is an art form in itself. When unique interiors display art in the home and best showcase the client’s private collections, the results can be utterly dazzling especially when the boundaries between art and decoration are blurred.

Following the success of last year’s exhibition “From the Gallery to the Room”,
Sibyl Colefax & John Fowler, the worldwide renowned interior decorators’ practice, are delighted to present the 2015 exhibition, in association with Jenna Burlingham Fine Art.

 Starting on Wednesday 17 June until Friday 26 June, “A Room with a View: Art and the Interior” will return to the company’s iconic 39 Brook Street, Mayfair venue, and will have on show works by leading Modern British artists including Ivon Hitchens, Patrick Heron, Roger Hilton, Elisabeth Frink, Winifred Nicholson, Mary Fedden and John Piper.


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 “The exhibition gives us the opportunity to show what an exciting dynamic can be created in our Brook Street showroom by mixing our furniture and antiques with modern paintings” says Philip Hooper, design director for Sibyl Colefax & John Fowler. “Jenna’s eye for the decorative means that her works are the ideal foil for our antiques. A Room with a view: Art and the Interior gives a true insight of how we consistently find ourselves decorating houses for the 21st century.”

Visitors will be able to enjoy and appreciate the work of these artists, and engage with Sibyl Colefax & John Fowler’s interiors in a new and unusual way.  This, once again, is a great way of broadening up the art’s appeal where classic, modern and contemporary style connect and merge harmoniously.

 “The exhibition is a wonderful chance for me to work with accomplished interior designers, and to exhibit carefully chosen Modern British and Contemporary art, drawings, sculpture and ceramics in the unrivalled setting of Brook Street” says Jenna Burlingham

 

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Exhibition opening times: Monday – Friday 9.30am – 5.30pm

For further information, contact:

Colefax Group Press Office Trudi Ballard Email: trudi.ballard@colefax.com Tel: (0)207 493 2231


– All imagery by Sibyl Colefax & John Fowler –




TURQUERIE GONE CHIC: SERDAR GULGUN





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The Turkish Turkish fantasy created by Serdar Gülgün has been an assault on
A-Gent of Style‘s senses since he discovered the quintessential Renaissance man a few months ago through his latest book, celebratory press coverage and of course Instagram.

For those who are not familiar yet with this magician of interiors, Istanbul native Serdar Gülgün is a world-renowned interior designer, Ottoman art collector and expert, and an internationally acclaimed lecturer, historian, and author. And now one of A-Gent of Style‘s favrourite new designers. From his now well storied stunning 19th-century historic mansion on the Bosphorus to his collections of historical art to his books, The Grand Bazaar Istanbul and Ottoman Chic, Gülgün is known for his passion for bringing Turkish history to life. For those who have visited Istanbul in style, he is the man behind designing the A’Ya rooftop terrace at Four Seasons Hotel Istanbul at Sultanahmet.





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Redolent of Turkish bazaars, his decors are replete with objets d’art and filled cabinet of curiosities as well as lavish touches of eccentricity. Original architecture and spectacular design elements intoxicates with a sublimely elegant kaleidoscope of pattern, colour and texture.

“To me, stylish interiors are like sensual beings that appeal to all the senses” opines Gülgün. “They are made up of many layers, colours, patterns, textures, fabrics, as well as beautiful music, exquisite scents, delicious food, pleasant words, and ultimately, gracious manners.” “I am a translator”, he adds. “I translate the old into the new. It is a process of recapturing the obscurities of the past and reinventing them in the light of the future”.

An Istanbulite and a devotee of Ottoman imperial culture, Gülgün has always been intrigued by the rare spectacles of the Ottoman court and dreams of the Old World. “I fell in love with this house when I first saw it in shambles. It took me many difficult years to restore it but I don’t regret it one second,” Serdar Gülgün says of his labour of love and most personal design masterpiece: his home, Macar Feyzullah Pasha Kosku which he oversaw the process of meticulously for seven-years to revitalise and return it to a state of elegance and splendour.


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Gülgün lets his imagination run wild with audacious-yet-sophisticated flourishes: intricately carved ceilings, spacious rooms, domed ceilings, frescoed walls, enormous Oushak carpets, sensuous brocaded upholstery, inlaid mother-of-pearl Syrian armoires to name but a few. His whimsical taste and flamboyant imagination effortlessly conjures glamorous, gem-encrusted art pieces, which are meticulously handcrafted in the original 15th century workshops of the Grand Bazaar. Infusing natural elements with centuries-old workmanship, each curiosity takes his followers on a new flight of fancy.

Standing at the crossroads of many cultures between West and East, the Ottoman style this sultan of chic excels at is also spiced with influences from Chinese and Indian to French and Italian, all of which are present in his enticing interiors. Constantly inspired by the atmosphere of his ancient city, Gülgün believes a successful interior design is a place of experience in which authentic elements of culture fuse and achieve alchemy, awakening all the senses and transporting its inhabitants to a place of fantasy.

 “The word ‘extravagant’ generally refers to something in excess and is related to flamboyance, which can easily turn inelegant, but Ottomans found a way to achieve an elegant extravagance,” explains Serdar Gülgün

 

You can follow Serdar on a short tour of his house (and marvel at his French)


 

Hopefully this will all be music to your ears too. But enough spiel for now, let the images speak for themselves…




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