There is a very important event not to be missed at the moment in London.
Sibyl Colefax & John Fowler are currently celebrating until December 5, 2016 artist Jeremiah Goodman and hosting his first London show in the iconic Nancy Lancaster’s Yellow Room, Brook Street. This exhibition, beautifully curated by Dean Rhys Morgan, is slightly tinted with emotions as it the last time one will be able to visit this incredible place before the company moves their headquarters by the end of the year to Pimlico Road (the room has already been stripped of all its furniture). Consider it the end of an era. If you haven’t been yet, this is your last chance.
Jeremiah, as he is simply known, is the famed watercolour and gouache illustrator revered within the interior design and architectural communities for his rare ability to infuse empty rooms with warmth and personality. He has worked in some of the most exclusive enclaves in the world and has been commissioned by an illustrious clientèle ranging from the world of literature and theatre (Edward Albee, Greta Garbo, Sir John Gielgud), music (Richard Rodgers), fashion (Yves Saint Laurent, Elsa Schiaparelli, Diana Vreeland, Carolina Herrera), art (Cecil Beaton, Pablo Picasso), interior decoration (Dorothy Draper, Billy Baldwin, David Hicks, Mario Buatta), socialites (the Rothschilds, Betsy Bloomingdale), royalty (The Duchess of Windsor), politics (the Reagans), to name but a few, and more recently influential people such as Bruce Weber and the Reed-Krakoffs.
Back in New York, the unstoppable artist – a true gentleman with whom I have had enjoyable conversations on Instagram – can be found every day at his drawing board in his Upper East side apartment working on private commissions but also on commercial assignments for advertisements, catalogues and artworks. His work is in the permanent collections of both the Cooper-Hewitt National Design Museum and The Metropolitan Museum of Art in New York.
Bust in bronze of Jeremiah by Richard Frazier, 1953
His stylish and studied renderings have been published in some of the most distinguished publications such as Harper’s Bazaar, House & Garden, Vogue, Vanity Fair magazines, The New York Times and Interior Design magazine whose covers he illustrated every month for 15 years from 1949 until 1964. He received in 1987 the prestigious Hall of Fame Award in recognition for his contribution in the field of Interior Design. Throughout his career, Jeremiah also embarked on numerous furniture design and product design projects such as fabrics and wallpapers.
A-Gent of Style adores the enchanting, moody atmosphere and unique air of mysticism that emanate from Goodman’s plates of artwork. There is a great sense of emotions, drama and ephemera in each of his watercolours but also depth and movement despite the static nature of this medium. One can’t but admire the way he captures light and shadow, and infuse rooms with warmth and personality, consequently giving them vitality and life.
Jeremiah’s prolific body of work throughout the decades:
“Nothing is so beautiful as spring. The glassy pear tree leaves and blooms, they brush / the descending blue; that blue is all in a rush / with richness; the racing lambs too have fair their fling.”
– Gerard Manley Hopkins –
Spring is palpably in the air so here is a fresh selection by A-Gent of Style of noteworthy publications.
Don’t forget you can hover your cursor over each image to see the rest of the book cover or click on the image to see the cover in full in a new window.
And if you’ve missed the previous instalments of Book End, you can catch up and see the other fantastic books A-Gent of Style selected over the months:Book End No1, Book End No2, Book End N03, Book End N04, Book End No5, Book End No6, Book End No7, Book End N08, Book End No9, Book End No10, Book End N011, Book End N012, Book End N013, Book End No14, Book End N015, Book End No16, Book End N017
Thank you dear followers for all your support in 2014. It’s been an amazing year and a fantastic journey for A-Gent of Style.
Wishing you the best for 2015. Let’s make this new year even brighter and more creative.
2014 WAS A REHEARSAL. 2015 IS SHOWTIME.