DECOREX 2017: A SEMINAR with A-GENT of STYLE and 4 LEADING DESIGNERS



 

 



The 2017 instalment of Decorex is imminent and A-Gent of Style is honoured to be moderating a seminar Taking Your Brand Global on Monday 3-3.45pm in the Lecture theatre with four established and respected figures of the design world – Nina Campbell, Sophie Ashby of Studio Ashby, Katharine Pooley and Dara Huang.

UK designers are increasingly working on projects abroad, not just in Europe, but more globally. We will be discussing for instance the challenges of working in different countries, how to adapt to the local environment and how these global projects have helped their brand as well as finding out what their thoughts are on how Brexit will change their success of working globally.

Please come and join us for what will be an interesting and thought-provoking talk.






 

 

 

 

AN EDUCATED EYE: RATEAU for JEANNE LANVIN and other CHEFS d’OEUVRE





 




Tomorrow afternoon in Paris, Christie’s will be auctioning from a private collection some important and striking pieces of the 20th C and 21st C by design maestros such as Rulhmann, Printz, Anthonioz and Jean-Michel Frank. First and foremost is a selection below of collectibles that grabbed A-Gent of Style‘s attention. 






























 














You can view the full catalogue here



But most importantly, there will also be twelve wonderful objets for sale by ones of France’s greatest Art Deco designers, Armand Albert Rateau, created for his friend, the legendary couturier Jeanne Lanvin. 









Rateau and Lanvin met through the couturier Paul Poiret in the early 1920s and she became one of Rateau’s most important clients. These two remarkable, strong and independent figures of the time started a regular collaboration from 1921, when Jeanne Lanvin established her Lanvin Decoration department, headed by Rateau. They collaborated on prestigious commissions such as the Daunou theatre in Paris, inaugurated in 1921, the interior decoration and furnishings of Lanvin’s villa in Le Vesinet, near Paris, and her townhouse in rue Barbet de Jouy. Furnishings from this scheme were shown alongside the Pavillion de l’Elegance  at the 1925 Paris International Exhibition.

Rateau’s singular and striking style is instantly recognisable to the trained eye and you will see below some of the sophisticated and extremely refined pieces of furniture, lighting, and objects he produced for Lanvin. In noble and pure materials ranging from bronze furniture to carved wood, Rateau’s genius and craft transformed designs influenced by his strong relationship with classical antiquity and Egyptology into the modern language of the time.

This sale is proving to be a great and timely opportunity to revisit and appreciate one of the 20th C ‘s notable design relationships.






































Today, you can see Lanvin’s now iconic private apartment at rue Barbet-de-Jouyat which Rateau designed between 1924 and 1925 re-created at the Musée des Arts Décoratifs in Paris. Simply divine
















 

 

– All images by Christie’s –


 

 

 

GIVENCHY and his GIACOMETTIS









A seminal sale in the world of interiors is looming. In a few hours, in Paris, important objets that were the result of a fruitful and exciting collaboration between two giants in the worlds of art and fashion of the 20th C will be,  A-Gent of Style predicts, snapped by fervent collectors. Albeit small as it contains only twenty-one pieces, the auction under the aegis of Christie’s has already gathered great momentum and exposure online and in the press over the last few weeks – The Financial Times’ How To Spend It gave it yesterday its cover and main feature. And it is bound to heighten the price points. 





The great couturier Hubert de Givenchy will be parting with his unique and unparalleled collection of museum-quality Giacomettis. ‘Even if my heart tightens at the idea of parting with these objects, that’s it,’ the designer explains. ‘My decision has been taken.’ The pieces in the collection are all personal and tell a specific story about the relationship and friendship that span decades between the two men. ‘I was already an admirer of his amazing creations, which he made with a lot of imagination and dexterity,’ explains M. de Givenchy, approaching 90, of how this special relationship began. The man who created iconic garments for some of Hollywood’s biggest names — from Audrey Hepburn (the little black dress in Breakfast at Tiffany’s is his) to Grace Kelly and Ingrid Bergman — was initially ‘seduced’ by the shape of Giacometti’s octagonal tables. Three of these very important examples (estimate £700,000-£1m) are offered in the sale which also includes four bronze stools and a major white patina lantern that hung in the main staircase of Givenchy’s chateau, which preceded the one created for the Musée Picasso in 1984 (still beautifully hanging with other white patinated lanterns in the main staircase). Giacometti, then not as popular as his sculptor brother Alberto Giacometti, was commissioned by the likes of Henri Samuel or Bunny Mellon and made his first pieces for Givenchy’s house at Jouy at the end of 1960 (he was introduced to the Swiss artist by art dealer Aimé Maeght, he of the famous Foundation in St-Paul-de-Vence), and from the early 1970s worked on bespoke pieces for the designer’s elegant and well-storied Renaissance Château de Jonchet in the Loire Valley, a couple of hours away from Paris.




‘Every time I asked for something [Giacometti] would write the idea down in his notebook, like a schoolboy,’ recalls de Givenchy. ‘Once he started working on a piece, he would ask me to come and take a look at the maquette, and it was always much more beautiful than the thing I’d had in mind, not only because of the imagination [it revealed] but also because of the incredible subtlety and refinement.’

Animals (dogs, deer, birds) are a recurring theme in the pieces Giacometti designed for de Givenchy, who describes them as ‘touching and endearing’. ‘The animal “talks”, his face is made with intelligence, infused with life. Each time [he made one], it was like a story,’ he adds. ‘Beautiful stories.’ ‘With this sale, I want to pay a further tribute to him, an additional recognition which he does not need, but which shows how important he was to me.’




Once again, it is time to see a private collection that encompasses decades of passion and a special relationship but also that captures a special era and aesthetics be disseminated into various, anonymous homes. A-Gent of Style was fortunate to see several Giacometti pieces over the years at antiques dealers, fairs or viewing exhibitions, and has alway been fascinated by his work instantly recognisable by its delicate, fragile-looking yet hand-wrought finished pieces and charmed by the elegance, craftmanship and humanity of his works especially the white patina lights, the birds and of course the doggies.
It won’t be too long before we see these iconic pieces suddenly emerge in another magazine feature or a sale, taken out of a new context and given a new chapter of their lives. And even if the gracious and restrained Manor du Jonchet is strongly associated with its Giacomettis, how exciting to ponder and fantasise over what it will look like without them and what they will be replaced with (if at all).

Art defies time, boundaries and slipping into oblivion. In the great word of Jeanne Moreau (this one is for you, G.E): “My life is very exciting now. Nostalgia for what? It’s like climbing a staircase. I’m on the top of the staircase, I look behind and see the steps. That’s where I was. We’re here right now. Tomorrow, we’ll be someplace else. So why nostalgia? ”

Going, going…gone.


























































































Below some images taken from Instagram of the viewing exhibition at Christie’s Paris curated by Monsieur de Givenchy himself.






















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