BIRDS of a FEATHER: JANAINA MILHEIRO & ROBERT FOUR-AUBUSSON







There have been a few definite highlights during Paris Déco Off this year for A-Gent of Style and today’s feature is one of his favourite discoveries. The exhibition was just on his door step in Saint-Germain-des-Près and he could have easily missed it so a big thank you to Bruno de Caumont for taking him to the opening. We were transfixed. Let us hope you are too…






The Robert Four-Aubusson Gallery opened its doors a few weeks ago to a contemporary creation by Brazilian artisan and designer Janaïna Milheiro with the exhibition Verdure et Plume (Greenery and Plumage).

As soon as he walked in the gallery, A-Gent of Style was simply blown away by the sheer beauty and genius of the dazzling creations around the showroom.

 Greenery is a dynamic contemporary re-reading of a theme greatly appreciated from the 17th to the 19th century on which Aubusson built its reputation. Leaves, flowers and rare plants revealing a fantastic bestiary with magnificent birds. As for Milheiro, her creative world is defined by feathers and textiles. The artist produces unique weaves, embroideries and lace created from real birds’ feathers on commission for the fashion and decoration sectors such as Armani, Chanel, Hermès vitrines, Guerlain and Elitis.

With Patricia Racine, the artistic director of the Manufacture Robert-Four Aubusson, they used  fragments of authentic antique Aubusson tapestries and chose one piece of work that had a parrot in relief. Once it had been cut out to create four different graphic worlds, the bird gradually faded out until its presence became a fleeting suggestion through a few fragments of its plumage. Each piece, either sewn or fixed with metal attachments, was painstakingly and meticulously assembled together and presented in a transparent perspex box that permitted to see the reversed side of the decor.

Milheiro’s talent resides in combining different techniques with unexpected materials that produce an innovative, graphic and poetic vision of plumage hence her interest in working on authentic Aubusson tapestries.

“I sought to create greenery with feathers that were superimposed on the groundwork and would thus interplay with the greenery of the tapestry, simultaneously bringing to it an unprecedented relief”, explains Janaïna Milheiro. “Composed to resemble lace or textile designs, the feathers are cut out in precise shapes which respect their innate anatomy whilst evoking the vegetal world. feathers and tapestry overlap, echo and mirror one another. The idea of the bird remains but only as if it had just taken flight.”

Patricia Racine adds: “Our aim is not to erase the past but to revisit it. With this creation that glorifies the groundwork, I feel we have attained our objective in a very graceful manner”.

This, to A-Gent, is a brilliant example 0f overturning traditional codes without rejecting the essence of secular handicraft, and at interpreting  a new vision. In the words of The Peak of Chic Jennifer Boles’ book title, ‘In with the Old’. Simply glorious. Don’t you think?














































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