LILOU GRIMBACH-MARQUAND – SCREEN SAVER – and PIASA
“I love light and I hate to see windows cluttered up by kilos of fabric, however precious it might be! A window is an opening on the exterior – a link to life.”
It wasn’t until he received the catalogue of the forthcoming Piasa sale last week that A-Gent of Style discovered for the first time Lilou Grumbach-Marquand and fell instantly head over heels for her work. Keen to delve into her work, A-Gent of Style could not find much information (online) about the already ever secretive and private artist. But going through the sale catalogue proved to be a revelation and a treat.
Madame Grumbach-Marquand has been making sublime screens, partitions, blinds, canopies, banners, beds and kimono stands for the last 20 years and has been adored by leading decorators such as Peter Marino, Jacques Grange, Frank de Biaisi but also Diane von Furstenberg for whom she has made a veiled four-poster bed.
PIASA auctioneers are paying tribute to her exceptional talent by offering a score of her remarkable creations on October 25 in Paris, a rare chance to see and own her private creations. The lucky ones who will be in Paris from tomorrow Friday 21 October will be able to see the pieces at the sale exhibition prior to the auction.
Her every designs are unique and made by hand from a luxuriant and fine range of unusual materials – ribbons, braid, tassles, silver or amber balls, gingko leaf, passementerie, fiber, silk, linen, metals, plant fibres, edging of Indian sari. They result in spectacular and refined creations infused with a sense of poetry, and her influences of the far and middle east mingle with European and French sensibilities whilst having subtle echoes of India, Turkey, Africa or Japan. The main thing is that each material guarantees ‘the purest transparency.’ The screen is a time-honoured element of decoration, filtering light and transcending interiors by redesigning their contours.
Now living in Paris’s Marais district, Lilou Marquand had the privilege of being Mademoiselle Coco Chanel’s closest collaborator for fifteen years (for several weeks she waited for Mademoiselle Chanel outside the Ritz, wearing a Chanel dress. Chanel finally noticed her and gave her a job). In the proximity of the « grande dame » of couture, known for her refined sense of colour and her flawless eye for details, Lilou Marquand’s own sensibility quickly developed and so did her obsession with lightness and light. Using her apartment as a creative studio, Lilou designs and creates projects for clients the world over. She recently created an enclosed space for Diane Von Fustenberg, which was on display at the Von Fustenberg’s studio in New York.
You can view the catalogue here.