“I love light and I hate to see windows cluttered up by kilos of fabric, however precious it might be! A window is an opening on the exterior – a link to life.”
It wasn’t until he received the catalogue of the forthcoming Piasa sale last week that A-Gent of Style discovered for the first time Lilou Grumbach-Marquand and fell instantly head over heels for her work. Keen to delve into her work, A-Gent of Style could not find much information (online) about the already ever secretive and private artist. But going through the sale catalogue proved to be a revelation and a treat.
Madame Grumbach-Marquand has been making sublime screens, partitions, blinds, canopies, banners, beds and kimono stands for the last 20 years and has been adored by leading decorators such as Peter Marino, Jacques Grange, Frank de Biaisi but also Diane von Furstenberg for whom she has made a veiled four-poster bed.
PIASA auctioneers are paying tribute to her exceptional talent by offering a score of her remarkable creations on October 25 in Paris, a rare chance to see and own her private creations. The lucky ones who will be in Paris from tomorrow Friday 21 October will be able to see the pieces at the sale exhibition prior to the auction.
Her every designs are unique and made by hand from a luxuriant and fine range of unusual materials – ribbons, braid, tassles, silver or amber balls, gingko leaf, passementerie, fiber, silk, linen, metals, plant fibres, edging of Indian sari. They result in spectacular and refined creations infused with a sense of poetry, and her influences of the far and middle east mingle with European and French sensibilities whilst having subtle echoes of India, Turkey, Africa or Japan. The main thing is that each material guarantees ‘the purest transparency.’ The screen is a time-honoured element of decoration, filtering light and transcending interiors by redesigning their contours.
Now living in Paris’s Marais district, Lilou Marquand had the privilege of being Mademoiselle Coco Chanel’s closest collaborator for fifteen years (for several weeks she waited for Mademoiselle Chanel outside the Ritz, wearing a Chanel dress. Chanel finally noticed her and gave her a job). In the proximity of the « grande dame » of couture, known for her refined sense of colour and her flawless eye for details, Lilou Marquand’s own sensibility quickly developed and so did her obsession with lightness and light. Using her apartment as a creative studio, Lilou designs and creates projects for clients the world over. She recently created an enclosed space for Diane Von Fustenberg, which was on display at the Von Fustenberg’s studio in New York.
You can view the catalogue here.
There is a very important event not to be missed at the moment in London.
Sibyl Colefax & John Fowler are currently celebrating until December 5, 2016 artist Jeremiah Goodman and hosting his first London show in the iconic Nancy Lancaster’s Yellow Room, Brook Street. This exhibition, beautifully curated by Dean Rhys Morgan, is slightly tinted with emotions as it the last time one will be able to visit this incredible place before the company moves their headquarters by the end of the year to Pimlico Road (the room has already been stripped of all its furniture). Consider it the end of an era. If you haven’t been yet, this is your last chance.
Jeremiah, as he is simply known, is the famed watercolour and gouache illustrator revered within the interior design and architectural communities for his rare ability to infuse empty rooms with warmth and personality. He has worked in some of the most exclusive enclaves in the world and has been commissioned by an illustrious clientèle ranging from the world of literature and theatre (Edward Albee, Greta Garbo, Sir John Gielgud), music (Richard Rodgers), fashion (Yves Saint Laurent, Elsa Schiaparelli, Diana Vreeland, Carolina Herrera), art (Cecil Beaton, Pablo Picasso), interior decoration (Dorothy Draper, Billy Baldwin, David Hicks, Mario Buatta), socialites (the Rothschilds, Betsy Bloomingdale), royalty (The Duchess of Windsor), politics (the Reagans), to name but a few, and more recently influential people such as Bruce Weber and the Reed-Krakoffs.
Back in New York, the unstoppable artist – a true gentleman with whom I have had enjoyable conversations on Instagram – can be found every day at his drawing board in his Upper East side apartment working on private commissions but also on commercial assignments for advertisements, catalogues and artworks. His work is in the permanent collections of both the Cooper-Hewitt National Design Museum and The Metropolitan Museum of Art in New York.
Bust in bronze of Jeremiah by Richard Frazier, 1953
His stylish and studied renderings have been published in some of the most distinguished publications such as Harper’s Bazaar, House & Garden, Vogue, Vanity Fair magazines, The New York Times and Interior Design magazine whose covers he illustrated every month for 15 years from 1949 until 1964. He received in 1987 the prestigious Hall of Fame Award in recognition for his contribution in the field of Interior Design. Throughout his career, Jeremiah also embarked on numerous furniture design and product design projects such as fabrics and wallpapers.
A-Gent of Style adores the enchanting, moody atmosphere and unique air of mysticism that emanate from Goodman’s plates of artwork. There is a great sense of emotions, drama and ephemera in each of his watercolours but also depth and movement despite the static nature of this medium. One can’t but admire the way he captures light and shadow, and infuse rooms with warmth and personality, consequently giving them vitality and life.
Jeremiah’s prolific body of work throughout the decades:
PAD turned 1o this year. The latest instalment of PAD London on Berkeley Square just closed its doors and left many of us, antiques and design lovers, inspired and enraptured once again with this annual rendez-vous of first-class furniture, decorative objets, jewellery, photography, tribal and modern art represented by 65-odd world-class exhibitors.
The variety and stylistic combinations of the vignettes and their ‘eclectibles’ created beautiful relationships and synergies between seemingly disparate notables that read like a roll call of 20th C museum-quality pieces all commanding incredible provenance, rarity, authenticity and integrity.
Here are A-Gent of Style’s highlights of this year’s fair, for your eyes only…
– FUMI Gallery –
– Jacques Lacoste –
– Galerie Dutko –
– Clara Scremini Gallery –
– David Gill Gallery –
– Rose Uniacke –
– Galerie Alain Marcelpoil –
– Gallery Matthieu Richard –
– Didier Luttenbacher –
– Carpenters Workshop Gallery –
– De Jonckheere –
– Galerie Jacques Lacoste –
– Galerie du Passage Pierre Passebon –
– Cabinet Albert Pinto –
-Phoenix Ancient Art SA –
– Galerie Kreo –
– Galerie Chastel-Marechal –
– Magen H –
– Sarah Myerscough Gallery –
– Hamilton Gallery –
– Mazzoleni –
– Galerie Dumonteil –
– Entreprise Jousse –
– Herve Van der Straten –
– JAMES –
– Leclaireur –
– Rose Uniacke –
- – The Restaurant by Veere Grenney Associates –
– All photographs by A-Gent of Style –
A-Gent of Style is thrilled and flattered to announce his nomination as Best Interior Designer or Stylist Blog at the Amara Interior Blog Award 2016.
Only the top 5 bloggers with the most votes for each category will make the shortlist and get an invite to the awards, so if you would like to vote for me and A-Gent of Style to win, click on the link below and enter your vote. Voting closes on September 9. Many thanks in advance for your vote. Spread the word far and wide!
picture from @masterpiecelondon
Summer in London means Masterpiece, one of the landmark events in London’s collecting calendar, which opened last Thursday to the public. As a huge devotee of antiques and art fairs, A-Gent of Style was eager to witness this year’s edition, now in its 7th year, and attended the decorator preview on Wednesday, his enthusiasm hugely enhanced in the last few weeks by the daily build-up on Instagram (where else). Rating Masterpiece as one of his highlights of the London art fair circuit, A-Gent of Style was wowed this year once again by the sheer brilliance and diversity of the elegantly curated vignettes showcasing objets of the highest calibre.
The stellar international fair brings together yet again this year more than 150 leading exhibitors, old friends and newcomers from around the world to showcase a superb selection of museum-quality art, antiques, jewellery, furniture and design. Masterpiece attracts avid collectors, connoisseurs and enthusiasts across a wide range of cross-collecting categories and has established itself as notable highlight of the annual art fair calendar. Set in the magnificent South Grounds of the Royal Hospital Chelsea, Masterpiece takes place over seven days until July 6.
The mastermind of this masterpiece, Nazy Vassegh, the glamourous and brilliant CEO of Masterpiece (don’t miss her fabulous outfits on Instagram!), says; “’For 2016 Masterpiece promises to be more exciting than ever. 154 specialist galleries from around the world are bringing treasures from the past 5,000 of art history. For collectors, curators and the curious alike Masterpiece is now firmly established as a highlight of the summer arts season.”
A-Gent of Style made some great discoveries this year and was delighted to see some his most cherished antiques dealers exhibiting for the first time especially Galerie Willy Huybrechts with their show-stopping stand
Despite the Brexit and the fall of the pound, exhibitors are remaining optimistic and the fair is showing no sign of abatement as visitors are flocking in. This year’s fair is probably the best so far so make sure you don’t miss it!
Below a ‘small’ selection of outstanding objets and vignettes.
– Photographs by A-Gent of Style unless stated –